This radiant painting in lavender and yellow-gold hues belongs to a series of eight panels that revisits designs Aaron Douglas made in 1926 to illustrate author and activist James Weldon Johnson’s God’s Trombones: Seven Negro Sermons in Verse. The seventh panel in the series, Let My People Go visually interprets the Old Testament story about God’s order to Moses to lead the Israelites.. His most famous mural, Aspects of Negro Life, fills the reading room at the Schomburg Center for Research in Black Culture, part of the New York Public Library branch on Malcolm X Boulevard. In fall 2014, the Metropolitan Museum had the opportunity to acquire Let My People Go, a rare easel painting by Douglas.
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1. “Let My People Go”, Aaron Douglas, 1930s – Archival Quality Art Print When I first came across the “Let My People Go” archival quality art print by Aaron Douglas from the 1930s, I was immediately drawn to its historical and cultural significance. Aaron Douglas is a pivotal figure in the Harlem Renaissance, and this piece encapsulates powerful themes of liberation and identity.. Douglas was instrumental in the Harlem Renaissance, which occurred during the 1920s and 1930s. This painting, called “Let My People Go,” is the artist’s interpretation of the biblical Moses’s plea to the Pharaoh to free his people.
